Here is a spoiler-free preview for the first five episodes of Season 3.
Star Trek: A Strange New World At the end of the second season, it is arguably the most powerful step in any streaming trek. The show is so confident in all departments that if there are flaws, you won’t be interested in finding them. Since then, it has become The best Modern trek, become The only one Modern trek. Unfortunately, it is currently necessary to be the standard bearer of the show, and it becomes significantly weaker and inconsistent.
As usual, I’ve seen the first five episodes but can’t reveal details about what I’ve seen. I can say a lot A strange new world The best modern live treks still exist. It’s a great time you spend time with your characters while hanging out and almost everyone is really charming. After all, it’s a show that features crew members in Pike’s dormitory as the captain as his crew chef.
Its format blends with independent adventures and serialized character dramas, meaning it can provide something new every week. Recall the first season, when the nervous action thriller Memento Mori was followed by “spock amock,” a silly, Starbucks-zodiac, body-shaped romantic comedy centered on spock. A strange new world It was a long time to realize that the audience was first trek, not just wanting a ruthless, angry Grimdark. If they want, they can go see Picard and Chapter 31.
But, like those things SNW’s The maximum power, it’s a delicate balance to ensure that the two ways of the series aren’t too far away. And, it hurts me, the show spent the first five episodes of Season 3 too far in both directions (although kind, not at the same time). There is no specific details, but I’m sure, like last season’s music collection, I’m sure on the whiteboard wishlist in the same writer’s room. The opportunity to obviously intend to get everyone out of their usual roles and have fun is bland. Because this episode can never surpass the feeling, it is stupid to itself and can’t function properly.
On the other end of the scale, we sprint towards the shocked Grimdark, shocking the other series. Of course, the series has gone to dark places before, but has been more keen than just the bloody guts of the guts. Cynical people might suggest that franchisee Alex Kurtzman as other Paramount trek projects end snw The writer’s room.
Just like I like the soap element of the series, the ongoing plot takes up an increasingly larger portion of the runtime of each plot to date. As a result, this week’s story received less service, leaving them feeling weak and coherent. One plot rotates two-thirds as a low-key sequel to the second season. But since we only have ten minutes left, it feels like it is as an afterthought, or to address threads that the creative team thinks they are obliged to deal with (they don’t).
Actually, this is more than the recently established Doctor Who Having encountered the same problem as many streaming shows, this is a limited plot sequence. Rather than making TV on a scale broadcast network – annual runs of 22, 24 or 26 episodes per year, the (expensive) type performance is less than halfway. The result is that each plot must be more important than the last plot, while the audience is exhausted.
but A strange new world All economic problems cannot be solved through streaming models. My hope is that, like in the first season, the weaker plots are in the first half to soften the quality moments after the conclusion.
Next to: Not long before the release, Paramount announced A strange new world It will end with the end of its fifth season, which will be reduced from ten to six episodes. Not surprisingly – given that the same lower deck was cut off after passing the same milestone – but disappointing. My only hope is that the series won’t be spent awkwardly killing the series’ “Young Ensemble” in the final innings in order to replace them with the entire original series’ “roster” to make it a “line-up.” Please make them their own thing.
