Gala Dalí (1894–1982) has a favorite quote that likes to repeat: “If, like me, you are neither the brain nor the beauty, then creation is the only self-double delay antidote.” For a long time, she mainly used Salvador Dalí’s muse and wife as the mainstream culture, but she is not just a source of inspiration and a life companion. “Not only can she discover the promise and coax it into bloom, but she also knows how to present it, so it’s best understood and appreciated.” Surreal: The extraordinary life of Shandalithis is both a biography of the celebration and an outline of cultural history. “In addition to the legacy of great art and influential literature she co-created with Pauléluard, Max Ernst and Salvador Dalí, this unique tripartite talent is Gala’s gift to cultural history.”
The alleged muse is a writer, creator, designer and art dealer of surreal objects, who direct and advise her husband, Pauléluard, the first French poet, and then the iconic Salvador Dalí. She is a woman among the Surrealists, a friend of René Char and René Crevel, a fan of Max Ernst, and a character of Thomas Mann.
Born in 1894 in the Russian city of Kazan, Elena Ivanovna Diakonova, moved to the European continent in 1912 when she was sent to Davos to recover from tuberculosis. At the Clavadel Nursing Home, she met the aspiring poet Eugèneémile Paul Grindel, who was 17 years old, and her talent was recognized. This encounter prompted him to publish his first collection of poems, PremiersPoèmes (1913), under the pseudonym Pauléluard. His subsequent work, Conversation des Inutiles– Fourteen romantic simulated arguments between the poet and his beloved poet were introduced by Gala himself by a essay Reine de Palepaleglnn. The correspondence between the two shows that she is an exhaustive editor. The two will eventually get married, have a daughter, and end up getting involved in several ménages, whether they are each other’s primary partners or lovers after separation. Even a young adult, the star production ability of the party is obvious.
Notably, she was initially a critic and role model for her second husband, Salvador, but played a major role in developing a real business plan for the work they made together. She strongly encouraged him to diversify his output, at some point, including objects and book illustrations. “She negotiated with Pierre Colle and organized a Dalí exhibition and sale contract, and the new gallery, Charles de Noailles, recommended. Surreal. “The party became her lover’s ‘life coach’. According to El Salvador, how her principles and proportions were worn downstairs;
In a 1945 letter, she explained to her stepfather that she dealt with “everything related to the actual part”. [her and Dalí’s] Life, because you can see, he is completely immersed in the creative world. He can’t handle these trivial matters. “She was able to negotiate a book illustration of $2,500 (equivalent to $54,000), $5,000 (more than $110,000 today) for an advertisement, and $600 (more than $12,000 today) to sell a magazine in El Salvador, despite her claiming she is a saliz touch and touch and touch and touch and touch touch and touch touch and touch touch and touch touch and touch touch of touch touch”Russian word “My Gold.”
Other artists she influenced include Max Ernst, who directed her (while Éluard), an early version of Surrealism. She also suggested that Ernst sell design objects in addition to paintings. Even if she did not flatter her, her guidance was greatly sought after. Once, she accidentally mentioned to the Italian-Argentine painter Leonor Fini that she might “accept [her] (Even before El Salvador called Fini “maybe better than most,” and before adding that Fini refused to take the offer seriously. Surreal. Such a disciple is Michel Pastore, also known as Pastoret or Little Shepherd. “I believe the party is attracted to the artists, who express a very personal vision and combines theatrical characters with technical ability, independence and ambition,” Gerber Klein told the Observer. “The party is always closely related to her protégé.”
She is the idea behind several famous 20th century innovations in art and design. Most of Dali’s design inventions actually originated from The ladder of loveThis is a McQuit dinner for a Surreal Apartment in the 1930s at a Surrealist Exhibition in 1935. “It naturally led to many famous Dalyan inventions, including lobster phones and lip sofas, which in turn paved the attitude, for example, in the more skilled nose and serpers of serpe nose nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of serpe nose of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of rims of ger. She was portrayed as a lobster as a hat, and crustacean would be a prominent haute couture work in Elsa Schiaparelli’s Autumn and Winter 1937-38 collection. She also invited Christian Dior (Christian) Dior (She has known about her and Dalí’s costumes since he was just an assistant in the early 1930s century On September 3, 1951 in Palazzo Labia, Venice.
In an era when personal brands become widely obsessed with, grand life stories symbolize the heights that can be taken. “You could say the party wrote books about self-branding, from chapters about scandal behavior to articles about memorable looks and speak-tale personality, the celebration combines self-support with a lot of knowledge and very keen wisdom,” Gerber Klein said. Another advantage is versatility. Gala Dalí wrote Secret lifewhich became an international bestseller, she designed the store windows with her husband. “She and Dalí have been constantly refining their artistic practices to keep pace with any decade they have lived… If she is alive now, I believe the event will stand out on social media.”
